- My Workshops and Books on Krishnamacharya's Original Ashtanga Practice and Vinyasa Krama yoga
- Free Downloads
- Ashtanga History
- Asana Lists Inc. Original 1974 Ashtanga Syllabus
- Ashtanga Rishi Series
- Yoga Makaranda Part I and II
- Yogasanagalu (translation project)
- Krishnamacharya resource page
- Sri K. Pattabhi Jois - Resources
- Manju Pattabhi Jois Resource
- Srivatsa Ramaswami Vinyasa Krama Resource page
- VINYASA KRAMA sequences/subroutines
- Ashtanga Workshops Reviews
- Guest Posts.
- Mysore rooms around the world
- Chanting Yoga Sutras
- Developing a home practice
- On Ashtanga Practice
Krishnamacharya's original Ashtanga.
Pattabhi Jois talked in interviews, as well as when writing in Yoga Mala, that if we had less time we should practice less asana. In my own practice time is an issue. I prefer to breathe more slowly in the asana and vinyasas, lengthening my inhalation and exhalation, "slow like the pouring of oil" as Krishnamacharya puts it in Yoga Makaranda. I like to explore kumbhaka and the occasional extended stay, in Mudras especially. I also prefer to practice, much of the time, with my eyes closed, employing internal drishti at different vital focal points and I like to introduce vinyasas, extra preparatory asana on days when they feel appropriate as well as perhaps extending an asana into more challenging, 'proficient' forms on the more flexible days, in keeping perhaps with the idea of groups of asana rather than fixed sequences. I like to practice Pranayama before and after my asana practice as well as finishing my practice with a 'meditative activity'. I was first introduced to Yoga through the Ashtanga sequences and I still maintain that general structure in my main practice but I would rather sacrifice half or more than half a sequence than these other factors and perhaps practice the asana ‘missed’ in the following days, I still consider this to be Ashtanga, the 'original' Ashtanga of Krishnamacharya.
Saturday, 31 January 2009
If you dont drop back, but can walk down the wall to UD you can see if it feels any different that way.
Was very happy with my Drop back here (think it's my fourth or fifth, depends if we count the one where I landed on my head) The Matthew Sweeney excercise is defiantly paying off. Kapo was more controlled yesterday and likewise the Drop back tonight, I highly recommend it.
Friday, 30 January 2009
Have been trying to focus on different elements and trying to internalise them, the breath, the rocking and here, I'm attempting to shift my weight forward by trying to get my hips further over my feet. Started to feel something going on, some lift happening around my hips rather than just the more obvious feeling of lifting the arms and shoulders.
I was making a real effort too in this attempt to keep my feet straight. At one point i thought they were almost pointing in but when I look at the video they're still pointing out. Beginning to think this might be key though. Thighs were getting too tired so will try again tomorrow and really try to focus on straightening the feet
Helping with my Kapotasana drop back as well.
Coming back to standing you extend your arms pushing gently off the wall inhaling as long as possible (taking extra breaths if necessary but don't hold your breath) and with your head back the whole time. Hover again if possible when your arms are stretched and then roll the arms to the side rather than back over the head which would unsteady you .
Tuesday, 27 January 2009
Wanted to bring together all the advice from comments scattered over the last few posts.
On the breath
... check your breathing. Make it BIG and fluid.EXHALE your chest away from your legs, taking weight toward your hands and even past them INHALE your hips way over feet away from your hands Try doing this for every breath in each back bend. Eventually, the inhale will carry you up to stand.
...more into the chest! Slow down the breathing. Keep the hands planted until the last one which is the biggie. The rocking isn't just about momentum, it is also going to open your chest more...
... You are bending your head forward prematurely, which brings your center of gravity away from your feet. Push your weight forward with more momentum, and keep your head back until you are finally standing. Engaging the bandhas and activating your legs will enable you to stand easily.
...The effect of waving your head around will be to make you fall on it. Stop : )
... maybe imagine someone sitting on the ground in front of you just barely anchoring your calves with his palms.Or maybe come up to the fingertips on the last bend.
Suggestion: Place a yoga sticky mat on the cushions to improve grip.
Or a similar idea but using plastic pads discussed here http://yogavita.wordpress.com/2007/09/07/the-magic-dropback-tool/
Monday, 26 January 2009
"By the way, for me and for some friends, it is easier to come up after you drop back. Even now, I feel so, even though i cannot actually stand up now. You feel much open getting to UD from standing position. If you are interested in trying another new move while trying to come up, it may help."
Haven't dropped back for months, first time I tried I landed it fine, second time I landed on my head. http://grimmly2007.blogspot.com/2008/08/2-ashtanga-accident-videos-dropping.html Decided it was best to come back to it after working on my backbends some more.
Promised Momo last night I would give it a go and post a video. So here goes.......
Drop back attempts 1 and 2.... to the Sofa bed
Warning: My hand slipped a little on the 2nd attempt and I Jarred my wrist slightly. I suggest laying a spare sticky mat over the cushions to give you more grip as you land and to give you some purchase for trying to come back up again.
Sunday, 25 January 2009
Friday, 23 January 2009
Exaggerating the Inhale/Exhale (trying to project it so the camera can pick it up).
- Inhaling weight over feet / exhaling weight over hands
Rocking on the inside of the heel
Coming up onto fingertips
Noticed I'm dipping my hips a bit tried to limit that on this Video but will need to work on that. now I'm starting to leave the ground I'm going to have to face up to the fear aspect, might be worth doing some dropbacks again.
Wednesday, 21 January 2009
Owl said we get all religious over our backbends. this randomly chosen screenshot by Blogger suggests she may be right.
New motto, "Breathe and all is coming".
Look at me getting all defensive, and there's me thinking I was a POMO Marine.
Tuesday, 20 January 2009
In the video keep an eye on the feet, it's a pretty subtle movement at least how i'm doing it at the moment.
I'd always lost my sense of direction when upside down. I know I know I'm supposed to go forward and up...but which way is forward again...? This rocking motion from the heel seems to help, you get the forward motion as you rock onto your toes and a lifting motion from your heels grounding your sense of direction.
OK I'm not up yet but I think this might be one of those elements that may help. I'm already beginning to walk my hands closer (though not in the above video) and can feel my weight beginning to shift from my shoulders down towards my hips. Plus this morning trying to come up from Kapotasana I felt I made some progress. I still wasn't able to come up but for a moment I was able to hold myself using my thighs, hips and back. It was just a moment and then I had to lower to the floor but I felt I'd "found the spot". Want to try to carry that over to Coming up from UD.
That said, I do try to hold the memory of of how I'm holding the first Bakasana both in my mind and in my muscle memory for when I land the second jumped version. This is important because when you jump you tend to be focused on your hands arms and shoulders yet when I hold Bakasana, I tend to feel it more in my Lats and that's where I shift my attention as I lower onto my arms.
Maybe I need to get out more.
Monday, 19 January 2009
Only a half serious attempt to come into lotus here. Think I'm aiming at a half lotus so I'm not too bound up when I lose balance. I think I can see myself getting into lotus and maybe coming down a little way but can't imagine keeping enough balance and control to bring them all the way down and land them let alone taking them back up again.. But hey, "all is coming"
Thursday, 15 January 2009
After all this Kapotasana work I've been noticing my legs getting stronger (at least they've been aching like hell) so decided to give it a try.
Lino it ain't (check out the quivering, quaking toes as I lift up and I only manage to hold it for half a second or so ) but I couldn't have done this, even this poorly a month ago.
Part of the trick is leaning forward a bit and placing the hands further down the thigh .
Wednesday, 14 January 2009
Just feel at the moment that things are happening here and I want to catch them, even the wrong turns. ( Is it helping bringing the arms out and back or was it better straight back? Do I have Grilley sitting on my shoulder whispering that there's bone in the way and I need to work around it?).
"If you can do Langhuvajrasana you can do it"
NB. Apologies for being an Idiot. Susanada is talking about Langhuvajrasana I'm thinking of Ushtrasana.
Thanks to Susananda for this inspiring comment "If you can do Langhuvajrasana you can do it (come up from kapo). OF COURSE !!!!!! I'd pretty much given up on coming up from Kapo. Have felt my legs/thighs developing (Ouch) can even see the muscle development (will this hinder Eka pada's?) but thought it was something that would take a while, a long painful while. Coming up, seems such a long way to travel and as you can see in these videos I tend to just give up on it for now without really trying. But, "If you can do Langhuvajrasana you can do it". From Kapo B to Laghuvajrasana is only a couple of inches instead of thinking about coming up all the way up I just need to think about coming up to Laghu. I know I can come up the rest of the way from there.
LATER: OK, just tried this and I'm not even close coming up. Think it's the angle of my thighs/hips can't get any leverage. think I need to improve that angle by keeping my legs straighter/hips further forward as I go back and continue building strength in my legs.
Day off today so will do Primary and Intermediate up to Dwi Pada, (OK maybe Tittibhasana because it's fun and silly and I cant resist it) find I'm getting closer to it after all the primary hip openers.
Here's where I am at the moment.
Monday, 12 January 2009
In finishing sequence though I discovered something in my back bend. I'd always put my hands above my ears when I pushed up but this time I had my hands in line with my ears. Not much leverage at first to raise up but when you get a couple of inches off the ground it gets easier and the back bend seemed much deeper. Wondered if this was something that would help my Kapo.
Tried it tonight and though I couldn't land my hands more in line with my ears just knowing I had more movement in my arms than I thought allowed me work them closer to my feet and get as far as my instep. Had the feeling too that I'd be able to go further too. Reaching the heels seemed like something that might be possible rather in the realm of fantasy I'd thought only the day before.
Saturday, 10 January 2009
Thursday, 8 January 2009
So some trepidation as I approached it. Needn't have worried though, seem able to hang in the air in a way I find difficult on a standing drop back. I did it three times and wanted to do another three, love this. Can see how 0v0 is right about backbends becoming almost a religious devotion. (right too about trying to dig the toes in, seems to help a bit, thanks).
The one above is a little better than yesterday I think. I drop in a little closer to my feet, am able to walk in a little and almost able to grab my instep. Amused by the little hand/ toe dance, like something out of an old horror B movie. Was that Michael Caine in THE HAND.
OK, I know this isn't a jump back but dropping back is a Transition, no? I want to catch the small developments of this so expect a few posts. As with the jump back I'll see about trawling the net to bring together all the little tips tricks and suggestions I can find.
Sadly the video tape ran out on my digital camera and so my perfect lift back up to standing is missing, bugger.
Monday, 5 January 2009
Have been convinced that I wouldn't be able to get my hands down before my head, that it would be a while before I'd be close enough to risk it. However, first Kapo I did tonight gave me a good view of the mat behind and I felt in good control. Was making the video to see how much more of an arch I was getting as I'd got the feeling I was getting my hips a little further forward. Usually I start going back and then bottle out and lower down the rest of the way via my arms and work my way into the pose. This time I just seemed to keep going back further and further feeling comfortable, confident, in control.....and then it just kind of happened.
Was going to edit it cunningly, cutting at the soft landing and leave it at that, but in the interest of warts an all I've included my lame "come up". "lift up" what do we call that anyway?
Still a long long way to go but damm that felt good.
Sunday, 4 January 2009
Shot by shot breakdown of Kino's Jump back on the right side of my blog
Strength, Presence + Awareness A Weekend Of Ashtanga Yoga
Triyoga Primrose Hill London Fri 17th Apr - Sun Apr 19th. http://www.triyoga.co.uk/story.php?titleid=1338
Yoga + Meditation for Daily Life
Friday 17 th April 2009 7.30 – 8.30 pm
In this seminar you will learn introductory meditation techniques as well as explore a contemporary approach to Yoga Philosophy. Experience how this ancient tradition holds many life lessons in the postures and technique and a sample daily practice session of meditation. Come, ask questions + discuss the inner journey openly.
Guided Primary Series
Saturday 18th April 2009 10.00am – 12.00pm
Strength: Yes, You Can!
Saturday 18th April 2009 2.30 – 5.30pm
If you think you will never be able to lift up, or if you want to take your lifting up to a new level, this class is for you. We will integrate the elusive bandha and core work in a way that is accessible for everyone. By using natural and scientific principles,like gravity, weight distribution, and mind-body connection, you will gain a new understanding of the potential for natural strength in your body. You will leave this workshop with tools you can apply to reach a new level of strength, presence and awareness.
Mysore Style Ashtanga Self-Practice
Sunday 19th April 2009 09.30am – 12.30pm
Participants will be given staggered start times to ensure everyone gets the attention they need. Please ensure that you give your phone number when you book so that we can call you to arrange your start time.2.30 – 5.30pmWhy is my Back so Stiff? Backbending, Flexibility and MoreIn this workshop you will learn the basics of what it takes to bend your body backwards on all levels; physically, emotionally and mentally. By integrating sound anatomical principles, body awareness techniques and movement mechanics, you will leave with an elevated understanding of what the journey into your spine actually entails. You will begin to expand your natural potential to go deeply into the deep stretches of backbends in a safe, fun and easy way.
For those who have been practising for 6 months or more.
Price: £130 for whole weekendKino's videos on youtube
From Triyoga's website
Kino MacGregor is one of a select group of people to receive the certification to teach Ashtanga Yoga by its founder Sri K. Pattabhi Jois in Mysore, India. The youngest woman to hold this title, she has completed the challenging Third Series and is now learning the Fourth Series with Guruji and Sharath. She and her husband Tim Feldmann are the founders of Miami Life Center, a space for Ashtanga yoga, holistic health and consciousness on Miami Beach www.miamilifecenter.com. Both teaching locally on Miami Beach and traveling internationally, you will find Kino leading classes, privates, workshops, yoga conferences and retreats in traditional Ashtanga yoga and total life transformation.Passionate about the environment, Kino recently pledged a monthly donation to Go Zero! to make her heavy travel schedule carbon neutral. Dedicated to sharing the amazing tradition of Ashtanga yoga with its growing number of practitioners in her unique, inspirational and playful approach, Kino helps her students expand and deepen their understanding of yoga and spirituality. She has been featured in Yoga Journal, Yoga Mind Body Spirit, Yoga Joyful Living, Travel & Leisure Magazine as well as appearing on Miami Beach’s Plum TV and the CBS Today Show.Fri 17 Apr 2009 until Sun 19 Apr 2009 £130
Friday, 2 January 2009
Now maybe I'm doing it wrong, but it feels too fast, too energetic, almost aggressive. I can see why this might be attractive to those who want an energetic, fast flowing Ashtanga but I think I'm looking for a more meditative, smoothly flowing practice. The crossed leg Jump through seems to fit better with what I'm looking for and why I like that Kino half handstand float in the air element to my Jump Through as well as the float up and float back in Sury A and B. Looks very impressive though ( here's a nice example http://www.youtube.com/watch?v=mmxu4DI4qzQ&feature=PlayList&p=26AB4571689B27FE&index=4 ) and I'm curious which method everyone is most drawn to so am adding another of those mini polls to the right side of my blog. Straight leg or Crossed leg Jump Through? You can vote for which one you can do or which one you like best or would most like to be able to do, up to you.
here's another example
and here's Lino http://www.youtube.com/watch?v=8KAU3xNVTAE
Lino has a much slower straight leg jump through but it still doesn't float my Navasana.
If anyone has a link to a nice slow meditative straight leg Jump Through that proves me wrong please let me know.
I bought Paul Grilley's DVD from Yogamatters via Amazon UK for £16.99 . However, if you buy it direct from their website I think they have it listed at £22.00 . I gave Yogamatters a hard time when I had to wait a couple of weeks for the Lino Miele book but this time the DVD arrived within a couple of days (and over the Christmas period too).
It's good value running at over four hours. The lecture section takes up most of the DVD. The first lecture, The big Picture, is over an hour and outlines his basic premise the other lectures are about half an hour each and illustrate the argument further by focusing on different aspect of our anatomy. It's in a presentation setting and he uses several yoga practitioners to illustrate and
demonstrate.There's also a question and answer session and some special features.
Paul looks at two kinds of Resistance that he labels tension and compression. Tension is concerned with muscles, sinews and tendons and can be stretched/developed through Yoga and exercise. Compression, however, is where bone meets bone and can't go any further.
This is a comparative anatomy presentation, Paul shows how we all have different bone idiosyncrasies and considers how our bone structure may determine our asana.
In the neck example on the left, he shows the limits of neck extension on different models. These are all yoga practitioners who have been practicing Yoga for a long time, their limit is a matter of bone compression rather than their flexibility. He has even more dramatic examples on hip rotation, shoulder extension etc. These skeletal limits are important for teachers of course but especially for the home Yogi. We tend to try and make our poses look like those in a books and videos and, especially in the early days, think that if we don't look like the picture then it's a lack of flexibility. It may be flexibility but it might also be our bone structure and no matter how flexible we may become we might never be able to look like the picture in the book.
However, and this is an important point that Paul stresses throughout the video, although we may not look like the picture in the book it doesn't necessarily mean we're not benefiting from the stretch. It might just be that we're feeling the stretch at a different point than the model or another yogi or our teacher. We might feel the benefit of the stretch at less or more extension than someone else.
It also doesn't mean that we cant necessarily do an asana, although it may. If our bones are built such that they stop us extending our arms back, in wheel say, it might just mean that we need to adjust our arms, shoulders or elbows to enable us to achieve the pose and it's benefits.
Watching the DVD I was constantly jumping up to see how I compared to the models on the screen, and in this sense it's an excellent DVD for gaining insight into your own bone structure.
The presentation is very clear and you don't need an MD to keep up.
Here's a link to Pranamaya with some video samples of the DVD
"So Paul, are my arms to short for the jump back?"
Had I watched this DVD a few months back I might have just switched off and not listened to what Paul is actually saying and given up on ever achieving the Jump back. He looks at "Arm to torso proportion" in section 5. take a look at these two pictures.
The first models hands reach the floor naturally without any stretching or leaning. The second models hands are several inches short.of the ground. He will need to lower his scapula and bend forward just to touch the floor. As the first model is already touching the floor when he engages his scapula and bends forward he's able to press down with full leverage to raise himself from the ground. To get the same height Paul argues the second model would need to use blocks to regain the extra couple of inches, as his leverage has been halved just reaching the floor in the first place.
As with all the other examples I jumped up and checked where I came in comparison with the models. "OH NO!" thinks I, "my hands are a long way from the ground, I'll never be able to Jump back." and I start googling Iyengar and Bikrim to consider changing styles. But hang on a minute, I CAN JUMP BACK, check out my last few jump back videos.
But this fits with what Paul is saying throughout the DVD. Sometimes you'll have to find ways of working around your bone structure, of living with it because it ain't gonna change.
I've had to work at my jump back to make up for my bone structure. The design of my bones appears to suggest that I begin with less leverage. However, I've been able to find ways to maximise the leverage I do have and if I look at the seven elements in the series of posts I presented in December that seems to be what I'm doing.
"So Paul are my arms to short for the jump back?"
"No, but you might have to work at it some".
PS. Why is it so so hard to format and reformat a post on Blogger, Grrrrrrr...!
Thursday, 1 January 2009
The link above is to the Audiodharma Free online Mindfulness (Vipassana) meditation course.
The lectures are by Gil Fronsdal. I've been listening to talks by him on the Audiodharma and Zencast podcasts for the last year and a half. (easy going, insightful, fun) Find mindfulness fits well with my Ashtanga practice. Gives you great tools to help you stay present.
Still possible I think to "Audit" the course which, for the non Americans, means follow the course but without the feedback from tutors. But if you miss it or this is a bad time to follow the whole course you can find intro to mindfulness meditation lectures by Gil on the Zencast podcast on itunes.
Here's the course outline
Introduction to Mindfulness Meditation with Gil Fronsdal and Ines Freedman Support Teachers: Bill Hart, Chris Clifford, Dave Judd, Ines Freedman, Kim McLaughlin, Maria Straatmann, Mary Helen Fein, Michael Whiteley, Nona Olivia, Rebecca Dixon, Susan Ezequelle and Uri Silberstein.
January 5 - February 21, 2009
This is an online course based on Gil Fronsdal's six-week introduction to Mindfulness Meditation class. The course will be supplemented with written material, mindfulness exercises for bringing the practice into daily life, and reflective questions. Ines Freedman, as the online teacher for the course, will provide further teachings. Additional guidance will be provided by the various teachers.
The course is not live, so it can be done at any time during the day. Any questions during the course will be handled by email or at pre-arranged times using telephone, Skype or Instant Messenger.
Cost: Following the Buddhist tradition that all teachings be given freely, there is no charge for this course. Donations are welcome. For questions, send an email to Audiodharma Course.
Ashtanga Vinyasa yoga at home by Anthony Grim Hall is licensed under a Creative Commons Attribution 3.0 Unported License.
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