I tend to vary some of the subroutines and vinyasas in the different sequences to cover a wide range of postures throughout the week while retaining the main focus of the practice.
One of the benefits of coming to Vinyasa Krama from Ashtanga has been the awareness of how important it is to work on the same challenging asanas, if not daily then, every other day. While there's a lot to be gained from working through the different postures and vinyasa, I don't believe your going to get far with your Kapo or Leg behind head poses if you only practice them once a week. It takes time gaining the confidence to enter the more difficult asana and even longer becoming comfortable in them such that you can slow and control the breath. The approach below seems to balance exploring and rotating the range of postures and Vinyasas while keeping a regular focus on the more challenging poses.
It could be argued that while not practicing Kapo say, you can still work on deep backbends from the different sequences. One day you might practice Viparita Salabhasana, another day the dropback in tadasana, perhaps Natajarasana on still another. That's true, but however deep your backbend nothing quite prepares you for Kapo like, well, Kapo. I find the same goes for Natajarasana, I need to work on it pretty much everyday.
Something I've struggled with recently is the balance between pranyama/meditation and asana. I'm sold on Pranayama, I love it, in my evening practice I do just fifteen minutes of asana and seventy-five of pranayama/meditation, the asana is preparation for the pranayama, how it should be. I'm tempted to do something similar in the morning, perhaps an hour of asana and ninety of pranayama/meditation. An hour would only cover the essentials, however, Tadasana and the long stays in Paschimottanasana, shoulderstand and headstand, I might have lost some of the asana madness but asanas still have their allure. I'm less acquisitive of postures perhaps but I still enjoy exploring them. I've become a bit of a girls blouse about it too (as my father would say), more interested in the classical standing postures than arm balances and I can't seem to resist the leg raises, I used to be the same about redheads.
Guess I'm just not ready to let go of it yet. A bit of Abhinivasah in this perhaps. Doesn't help that I seem to be in such a good place at the moment with regards my practice. Postures seem to be coming along nicely and almost anything seems approachable, mentally I feel relaxed and comfortable with where I am and what I'm doing.
So why the backbending and Leg behind head focus? The more challenging asana often seem to fall into these two camps, think Kapo, Natajarasana, Chakra bandhasana, Ganda B in backbending and Durvasna, Dwi pada sirsasana, Omkarasana etc. in LBH. Some of those other nasty postures like Yoga dandasana will benefit from the work done in LBH too. I came to VK from Ashtanga and had a pretty deep Kapo and Dwi pada, for me it's a case of keeping them up and perhaps extending their expressions a little more. By creating a focus on these kind of poses in my practice I'm able to choose postures in the earlier stages that prepare me nicely, the gentle backbends in 'Tadasana' say or half lotus tree pose in the 'On one leg' sequence.
Something I've struggled with recently is the balance between pranyama/meditation and asana. I'm sold on Pranayama, I love it, in my evening practice I do just fifteen minutes of asana and seventy-five of pranayama/meditation, the asana is preparation for the pranayama, how it should be. I'm tempted to do something similar in the morning, perhaps an hour of asana and ninety of pranayama/meditation. An hour would only cover the essentials, however, Tadasana and the long stays in Paschimottanasana, shoulderstand and headstand, I might have lost some of the asana madness but asanas still have their allure. I'm less acquisitive of postures perhaps but I still enjoy exploring them. I've become a bit of a girls blouse about it too (as my father would say), more interested in the classical standing postures than arm balances and I can't seem to resist the leg raises, I used to be the same about redheads.
Guess I'm just not ready to let go of it yet. A bit of Abhinivasah in this perhaps. Doesn't help that I seem to be in such a good place at the moment with regards my practice. Postures seem to be coming along nicely and almost anything seems approachable, mentally I feel relaxed and comfortable with where I am and what I'm doing.
So why the backbending and Leg behind head focus? The more challenging asana often seem to fall into these two camps, think Kapo, Natajarasana, Chakra bandhasana, Ganda B in backbending and Durvasna, Dwi pada sirsasana, Omkarasana etc. in LBH. Some of those other nasty postures like Yoga dandasana will benefit from the work done in LBH too. I came to VK from Ashtanga and had a pretty deep Kapo and Dwi pada, for me it's a case of keeping them up and perhaps extending their expressions a little more. By creating a focus on these kind of poses in my practice I'm able to choose postures in the earlier stages that prepare me nicely, the gentle backbends in 'Tadasana' say or half lotus tree pose in the 'On one leg' sequence.
Of course you could develop a practice with a different focus but this seems to be working for me at the moment.
Sunday 8th Aug AM 6:30 start Backbending focus
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Monday 9th AM 5:30 start Forward bend and leg behind head focus
Tadasana p.1
Usual key vinyasas
Tadasana p.1
Usual key vinyasas but extra attention on backbend variations
*Dropbacks x 5 including Eka & Dwi pada chakra bandhasana.
Triangle Element p.147
On one leg element p87
Standing marichi, Ardha-Badha-padmasana in Vrikshasana (half locked lotus in tree pose inc toe balance) *Natajarasana
*I should really be doing my Paschimottanasana here before Bow rather than after but I want to take a long 10 min paschi as a counterpose to all the backbends coming up.
Bow Sequence p.137
inc *Viparita salabhasana, *Bherundasana.
Meditative pose Sequence p.176
Ustrasana (camel) subroutine, includes *Kapotasana and *Eka Pada kapotasana
Paschimottanasana p.71 10 min.
as counter to all the backbending
Apanasana (pelvic lift)
U- formation (arms and legs raised while supine)
Dwipadpitam (Desk pose)
Shoulderstand 5mins p.123
Dropping back into uttana mayurasana as a counterpose
Headstand 10 mins p.161
inc. some lotus variations
Shoulderstand 5 mins p.123
inc. some leg to floor in frount and behind vinyasas.
feet together UD as counterpose
Lotus element p.189
Bhandrasana (peaceful pose), Yoga mudra and it's vinyasas etc
Kapalabhati 108
Pranayama
Nadi Shodhana 30 minutes
Pratyahara 3min
Mantra meditation 30 min
Came out at about 2 1/2 hours
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Monday 9th AM 5:30 start Forward bend and leg behind head focus
Tadasana p.1
Usual key vinyasas
Dropbacks x 3
Triangle Element p.147
Usual key vinyasas I tend to do Uttita trikonasana, Parivritta Trikonasana, Uttita Parsva konasana and Prasarita Padottanasana daily occasionally adding something different
On one leg element p87
Uttita Padangustasana subroutine, Half lotus routine, *Natajarasana
Asymmetric Element p.35
This morning it was *Hanumanasana, *Eka pada raja kapotasana. Mahamudra, Ardha padmasana subroutine (half lotus), Akarna Danurasana (archer) , Kraunchasana (heron),*Eka pada sirsasana subroutine (leg behind head).
Seated element p.71
10 min Paschimottanasana, Upavishta konasana subroutine, Kukkutasana, *Dwi pada sirsasana, Supta Kurmasana, *Yoga nidra
Shoulderstand prep p.122
Apanasana (pelvic lift)
U- formation (arms and legs raised while supine)
Dwipadpitam (Desk pose)
Shoulderstand 5mins p.123
Dropping back into uttana mayurasana as a counterpose
Headstand 10 minsp.161
inc. some lotus variations
Shoulderstand 5 mins p.123
inc. some leg to floor in frount and behind vinyasas.
feet together UD as counterpose
Lotus element p.189
Bhandrasana (peaceful pose), Yoga mudra and it's vinyasas etc
Kapalabhati 108
Pranayama
Nadi Shodhana 30 minutes
Pratyahara 3min
Mantra meditation 30 min
Again, came out at about 2 1/2 hours
* I've put a star against some of the more challenging postures, if they are a bit much you could leave them out or slip in something else, possibly a couple of the postures in the book leading up to them.

3 comments:
Thanks everso much for sharing Grimmly. I found it really interesting, and a great pre-amble.
I guess the saxophone is gathering dust right? I have a beautiful custom shop Fender Telecaster here, which I look at and miss like an old friend but, well, there's just never enough time.
I was rambling there Steve, haven't read it back yet heaven knows what i was going on about. I don't know how useful these practice outlines are, very personal to my own practice. I'm hoping it gives an idea of how you might go about developing a practice from the book, mixing and matching subroutines.
Yep, not a lot of sax playing going on at the moment. On my own in a temporary workshop at work at the moment though, so getting a good blow there, a little more testing than is really required.
Much prefer the Teli to the Strat.
Now why did I just imagine the Director of some company walking into a workshop, only to find a guy with a bandana on, with both legs securely placed behind his neck, while playing a saxaphone!
Seriously, I didn't find you to be rambling. It's always interesting to share someone's home practice. I've been dropping Bharadvajasana & Parighasana in behind Trianga-muka, in a bid to deepen Pasasana. I suspect the Ashtanga-police are getting ready to raid my apartment but, nevertheless, it's all good.
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