For the last couple of weeks I've been working on practice notes for my Vinyasa Krama practice book project.
My approach has been to work through the sequence of the subroutine I'm working on and then really focus on the particular subroutine, following Ramaswami's instruction to the letter as much as possible.
The first week went OK with the On the feet sequence but this week I've been working on the Triangle sequence and finding that I needed to re shoot my earlier videos.
I noticed I'd been leaving out lots of little details and quite frankly rushing through the vinyasas/variations, probably because when I shot them originally I was filming the whole sequence and then editing out the different subroutines. This was a surprise as I'd been making a point about how much slower Vinyasa Krama was than Ashtanga, how much longer you tend to stay in a posture, how long and slow the breathing.
This morning I had to re shoot parsva konasana a posture that I've practiced almost everyday for five years. In Ashtanga we enter the posture on the breath, stay for five breaths and then exit on the breath. What's that around seven breaths, forteen for for both sides?
In Vinyasa Krama the full parsva konasana subroutine goes something like this.
Turn to the side ( from triangle) raise the arms above the head and stay for three breaths, enter and exit, a palms on mat version of Parsva Trikonasana, three times. On the third time stay for 3-6 breaths. Repeat on the other side. Now do the same but with the arms bound behind the back (holding the elbows) and then again with the hands in reverse prayer. Finally enter the first version, stay for three breaths and then raise the back leg and hold for 3 breaths repeat on the other side.
That's what, 50 breaths? I just checked the video running time and it's sixteen minutes and again, I could have focused a little more on slowing the breath further.
A quarter of an hour on one posture and it's variations.
Now this might not be for everyone, it took up a large chunk of my practice. In fact my practice this morning consisted of a short tadasana, a couple of triangle postures and then this full parsva konasana subroutine. Then I did a long paschimottanasana, shoulder stand and headstand, maha mudra and finally into lotus for pranayama and meditation. That one subroutine was the central focus of my practice.
And it was wonderful, spending all that time in the pose entering exiting, the long holds, the different vinyasas, you really get to explore the pose, savour it, work on improving steadiness and comfort, settle into the breath.
I've practiced like this before but too often drifted back into an Ashtanga Vinyasa Krama approach which right now strikes me as neither one or the other. Perhaps it was a mistake to try and practice Ashtanga as Vinyasa Karma it certainly seems that way when trying to practice Vinyasa Krama as Ashtanga.
And so I'm inclined, after this project is completed, to go back to a straight Ashtanga practice on Fridays ( lest face it, it's fine as it is) and then the rest of the week Vinyasa karma as Vinyasa Krama.
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Ashtanga Vinyasa yoga at home by Anthony Grim Hall is licensed under a Creative Commons Attribution 3.0 Unported License.
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7 comments:
Grimmly, I was also facing this, so I'm having similar practices - if trying to push everything with pranayama into 1.5 hour with tadasana opening and slow breath all the way long and maha mudra, shoulder+headstand finishing, that is quite impossible for me.
It's a problem coming from Ashtanga, your used to covering a wide number of postures, to cut back to just a couple of postures and their vinyasas with repeats and long stays is quite a mind shift.
I would do it in my shorter evening practice, mostly asymmetric, seated etc, not so much the standing subroutines, been quite a revelation this week, a rediscovery as I said.
Absolutely right, a paradigm shift, to be honest I already got accustomed to it :)
Hey, was just thinking how I'd like to read a post about someone's practice, about asana and viola, thank you. The parsva konasana sequence sounds interesting. I do enjoy that pose. It's always been a really challenging one for me, but I tend to take my time getting into it, stay a little longer and if I have time do a sneaky bind. Must try krama version soon. Have been loving the asymmetrical sequence.
happy to oblige : )
Just posting the revised Parsva konasana video to Youtube now and finishing off the post, should be up in a couple of hours.
your practice is really very interesting!
for me (beginner ashtangi), the vinyasa krama is more a way to address correctly the asanas that are currently not possible (e.g. ek pada sirshasana).
Is it this way you've shifted from ashtanga to vinyasa?
Thanks again for your interesting blog (and wonderful practice book).
That was one reason Louis but I remember practicing the seated and asymmetric series the first time. Working on one posture but with these little variations, going into the posture, out of it and then back in again, that repetition, the long stays... i found it quite powerful to practice that way.
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